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You should know by now that I am not afraid of conflict, and I would much rather know too much than too little. Whether through guilt or relief, they always reply back. Most recently, I dated Catch 2.


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We wrote a full on country song — with banjo and shit — just because we could. A roadie is up a ladder, rigging up a final light.

We catch up with ms mr in sydney to chat groovin’ the moo, coachella & more

After a few minutes and some false starts suddenly the song is alive, the bass thick and guttural in the opening verse. For a long time we just fed into that crankiness.

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Max nods. Max was the first person to hear anything.

On record, their songs are staunchly grim, and endlessly introverted — mining a deep vein early 20s angst that seems completely at odds with who they are. So a lot of that…really what felt like teen angst, got recycled into that moment in time.

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You just feel fucking everything. They are relentless dancers: Lizzy crumps and squats and stomps, Max slams synth chords while spinning and moving his feet at a dizzying pace. They sling an arm around each other and bow.

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There has always been a strange dichotomy to MS MR. In person, they are two of the nicest and funniest people you could ever hope to meet, with a razor sharp wit and intelligence. Max and Lizzy shoot each other a relieved smile. A year ago at SXSW, I had caught the band before they performed at Stubbs BBQ, and in chatting with Lizzy had mentioned their phenomenal Splendour show of the year — where they made their festival debut to a packed Mixup tent and delivered the set of the weekend.

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That is the marker of how successful and well known your music is. She pauses, picking at a thread in her dress, before continuing.

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But now, we love it. The macabre Bones and Hurricane wrap up the encore, performed of course with a incongruous smile. She ticks off some milestones: playing the main stage at Coachella, playing Glastonbury, being on David Lettermen.

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The house lights fade to black, and through the screams of the audience the first notes of Reckless begin to thump out from the stage. It goes a way to explaining the change in tone on their second LP, the more upbeat How Does It Feelreleased mid last year.

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Secondhand Rapture was really a bit of a gamble. A couple of others wheel around gear boxes, unrolling cords as they go.

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Grab tickets here. Suddenly the guy up the ladder swears — a cluster of old confetti has been let loose from within the light, showering the tech and drifting slowly down onto the empty stage.

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We got off on that darkness. Lizzy agrees.

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Max stations himself behind the keys and tests out a bright synth sound, while Lizzy sits on the drum kit, warming up. Only a few years ago, Max and Lizzy were effectively newbies to the music game.

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Him and Lizzy sit cross legged on the couch, with their ever present water bottles in their laps. Lizzy was running her record label — the alt pop driven Neon Gold — and Max was deep in dance classes.

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